The Faux Poetic but Authentically Meaningless (“Hunt the Mist Slowly”)
The Purely Descriptive (“One Early Morning in Topeka at Dawn”)
The Lofty Abstraction, a.k.a. the Bad Kundera (“The Lonely Shackles of Mortality”)
The Hardy Boys Special (“The Hike from Hell”)
The Grammatically Complete Sentence (“Gladys Pemberton Strikes It Rich”)
The Inspirational Cliché (“Dreams of Rebirth”)
The Uninspirational Cliché (“Losing My Marbles”)
The Alliterative Tongue Twister (“Peripatetic Papa”)
The Allusion to Another, Much More Famous Work of Literature (“The Story of Christ”)
The It-Doesn’t-Get-Any-Cuter-Than-This (“Runaway Grandma”)
The Melodramatic Image (“Blood Dries Brown”)
The My-Life-Changed-Unexpectedly-and-I’m-Going-to-Tell-You-About-It (“Epiphany in a Tattoo Parlor”)
The Bad McSweeney (“How We Lie to the Moon, and How the Moon Lies to Us”)
The Scratch ‘n Sniff, a.k.a. But-It-Will-Make-Such-a-Lovely-Cover-Someday (“In the Valley of the Gardenia Blossoms”)
Read the accompanying article here.
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